I watched Rockstar on the day of its release and have been quite kicked about the movie.
One, because, damn, Ranbir Kapoor has grown up! He's put in some serious effort into his role and looks convincing, making the film an endearing watch.
Two, because A.R. Rahman's music is as much of the Rockstar as Ranbir is, needless to say. And yippeee Mohit Chauhan sounds suitably angsty for the Ranbir who looks suitably angsty.
Three, because, I'm happy with the kind of films that the Hindi film industry is coming up with. Honestly.
Ok so there's mindless mayhem like Dabanng that actually mints money....but there's all kinds of film co-existing, thank god.
If you guys have been switching channels this weekend, there were a whole lot of discussions on news channels on "Has Indian cinema come of age?" keeping in mind "The Dirty Picture", and and the Think Fest at Goa, with discussions on "The Changing Face of Bollywood". The discussions have been engrossing, open, throwing up frank opinions and opening up new threads of thought. It was great to hear Khushboo, Mahesh Bhat, Dibakar Banerjee, and Aamir Khan speak.
Hubby and me, both being avid moviegoers were feeling thrilled after watching the film that we're moviegoers at a time when Hindi cinema is going through such a gutsy phase. We just saw a few weeks ago the very unsettling "That Girl in Yellow Boots"... I couldn't sleep for much of the night. It's revolting, the end. But my point is, a cinema should leave you feeling something. If it's just popcorn-eating entertainment, it's fine, but only once in a way. I can't take too much of that kind of cinema. But I need it too!
Ok I'm veering off the Rockstar track. But if there's one thing I want to, in true Bollywood style declare, "I object My Lord!" in a court -- it's a protest against director Imtiaz Ali for making the heroine have a terminal bone marrow illness. I thought it was a Shah Rukh Khan thing to have his heroines dying of all sorts of diseases... I mean that track of the film has seriously maimed the rest of the story.
I mean, what's it with Hindi films in this aspect? You must have a dying heroine? Always? Bah!! Terminal illness. It has to be the only reason to accept a woman who loves someone outside her marriage?
The strong point however is the character of Ranbir; in fact all the effort seems to have gone into shaping him.
The fact that Nargis Fakhri can't act and look beyond her bee-stung lips makes Ranbir look even better (a deliberate pairing, I presume).
But the angst in Ranbir....aaah that's something I loved. The anger, the restlessness, the aimlessness...it's something a lot of us feel, even if we are not rockstars. His grungy air, his temper ufff it all fell neatly in place.
I don't want to sit here and tell the story. You must see it. And forgive Imtiaz Ali, lord, for his sin of dumping yet another terminal illness on yet another Hindi cinema heroine.
One, because, damn, Ranbir Kapoor has grown up! He's put in some serious effort into his role and looks convincing, making the film an endearing watch.
Two, because A.R. Rahman's music is as much of the Rockstar as Ranbir is, needless to say. And yippeee Mohit Chauhan sounds suitably angsty for the Ranbir who looks suitably angsty.
Three, because, I'm happy with the kind of films that the Hindi film industry is coming up with. Honestly.
Ok so there's mindless mayhem like Dabanng that actually mints money....but there's all kinds of film co-existing, thank god.
If you guys have been switching channels this weekend, there were a whole lot of discussions on news channels on "Has Indian cinema come of age?" keeping in mind "The Dirty Picture", and and the Think Fest at Goa, with discussions on "The Changing Face of Bollywood". The discussions have been engrossing, open, throwing up frank opinions and opening up new threads of thought. It was great to hear Khushboo, Mahesh Bhat, Dibakar Banerjee, and Aamir Khan speak.
Hubby and me, both being avid moviegoers were feeling thrilled after watching the film that we're moviegoers at a time when Hindi cinema is going through such a gutsy phase. We just saw a few weeks ago the very unsettling "That Girl in Yellow Boots"... I couldn't sleep for much of the night. It's revolting, the end. But my point is, a cinema should leave you feeling something. If it's just popcorn-eating entertainment, it's fine, but only once in a way. I can't take too much of that kind of cinema. But I need it too!
Ok I'm veering off the Rockstar track. But if there's one thing I want to, in true Bollywood style declare, "I object My Lord!" in a court -- it's a protest against director Imtiaz Ali for making the heroine have a terminal bone marrow illness. I thought it was a Shah Rukh Khan thing to have his heroines dying of all sorts of diseases... I mean that track of the film has seriously maimed the rest of the story.
I mean, what's it with Hindi films in this aspect? You must have a dying heroine? Always? Bah!! Terminal illness. It has to be the only reason to accept a woman who loves someone outside her marriage?
The strong point however is the character of Ranbir; in fact all the effort seems to have gone into shaping him.
The fact that Nargis Fakhri can't act and look beyond her bee-stung lips makes Ranbir look even better (a deliberate pairing, I presume).
But the angst in Ranbir....aaah that's something I loved. The anger, the restlessness, the aimlessness...it's something a lot of us feel, even if we are not rockstars. His grungy air, his temper ufff it all fell neatly in place.
I don't want to sit here and tell the story. You must see it. And forgive Imtiaz Ali, lord, for his sin of dumping yet another terminal illness on yet another Hindi cinema heroine.
2 comments:
It really makes me wanna watch it!
Reading this wonderful review, I am surely gonna watch this!
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